5 Modern Album of Terre Haute, IN affiliations include, but are not limited to, the eBay Partner Network, and Lots of matrix information has been collected by record sellers and many thousands of early pressings have been auctioned. Progress, what is it with that word that it manges to bug me so often? Could someone explain to me the attraction of a reissue of Kind Of Blue in mono that is a modern day fold-down from the 3 track master tape? These command a significant price premium at auction. In addition to the prefix code and job number, there would also be a number/letter combination at the end the number indicates the tape/mix used, whilst the letter refers to the lacquer used. 3D-imaging and the wide, deep soundstage are eyebrow-raising; these Davis mono remaster titles sold me on other mono remasters, and rival (IMHO, to my ears) the Columbia/Legacy 180g six-eye stereo remaster I bought last year. Read John Marks' account of hearing the three-track master tape at Sony Studios. I'm very happy with this pressing. When Sony announced the RSD release I assumed it would be similar to how they rolled out Milestones and Round About Midnight (a few months after)? Matrix codes found on mono promos, produced from FOUR lacquers: A G, D and H (UPDATE 30/5/21: one promo with 1A has just come to light, with track sequence error, courtesy of a reader. Milestones was manufactured through a similar process as Kind of Blue . Kind Of Blue Ravnsborggade 17 DK-2200 Copenhagen N Denmark kindofblue@kindofblue.dk phone: +45 . The interesting part is the lacquer numbers associated with two-eye edition, commencing with the tail end of the 1BA-1BL run, and the start of the 1CA 1CLrun. Newly remastered from the backup stereo tapes, the anniversary Kind of Blue was released on both CD and LP. Looking at theYouTube video and write-upon HD tracks and on the sister site: http://www.audiostream.com/content/miles-davis-kind-blue-again. Macero wasn't even in the same time zone during the second KoB session; he was in LA producing Dave Brubeck's Gone With The Wind, his first production. In the case of KOB, you would need to at least hear the mono before rendering a judgement as to which you preferred! . Not cool. No, by the time I got interested in old mono pressings, the price on Piper had gotten too high. ORIGINAL! The original recording sessions for Kind of Blue took place at the Columbia 30th Street Studios in Manhattan, nicknamed the Church, in March and April 1959. What happened? This could be a quite desirable source for early pressings. Matrix 1A/1A with Side 2 track-listing error, an example. In all likelihood they simply canned the misprinted labeland replaced it with a fresh print-run, as Macero requested. I own this one along with the 1997 re-issue and a 35DP-62 Japan for US. I reckon sales of KoB wasmaybem between 1959 and 1963, pure guesswork. For more information, please see our ), Forum Policies, Rules, and Terms of Service. When used as one center channel in an old school mono configuration, the sound stage/window can be rather small and wimpy, unlike live performers spread out over a real stage. Miles Davis Kind of Blue best sounding !? - Music - PS Audio If the promos were all pressed at Bridgeport, Conn, one of the East Coast jacket manufacturer Imperial Paper Box Corp, Brooklyn (2) or Modern Album Long Island (3) would have supplied the jackets, no? 2 of them are friends and the 3rd one is my father-in-law. The original mono LPs did not have this problem because they were cut from a different tape from a different recorder. They were only on CD or SACD at that point since vinyl was done by Classic. Worse: later, rare combinations such as 1AC/1AA are found with and without the Side 2 error. I suspect the mono masters were damaged or very worn, and didn't meet technical standards. Manufactured & distributed by Music on Vinyl B.V. for Sony Music, It looks like you bought this pressing of KOB. and E and F for Pitman N.J. Six (or more) sets of lacquers were usually cut for any big-name artist, so the very first mastering would be 1A,1B,1C,1D,1E,and1F. Hopefully I can find one to buy on Record Store Day. The majority of 1A and 1Bmatrix pairs are found as Side 2 paired with a higher letter on Side 1 (e.g. I assume Mo-Fi's KOB will be the new stereo mix. 1AL/1A, 1AK/1A and 1AC/1A, 1AC/1B 1AE/1B), all with corrected Side 2 listing. Kind of Blue Hence the stereo (but not the mono) releases of Kind of Blue and virtually all the releases were stereo had always had those three tracks playing at slightly the wrong pitch. I finally got the MFSL 2x45 after holding out for a later press due to reports of some early ones being off centre. Mono vs. and we'd love to turn you on. kind of blue mono or stereo hoffman. I love the latest MFSL 2LP 45rpm, rapidly became my go to copy. So when I read imbeciles claiming Columbia used it into the 1980s because some records sound "better" with it, I get a bit crazy (er). Condition: Used. Mono vs Stereo: The Complete Guide | HiFiReport.com Have a look. Enter a Crossword Clue. The artist name and album title are set in Erbar Light Condensed font, used by Bridgeport and which went on to be used in label printing for Pitman. Do you know if the original issue was cut using the Columbia EQ curve? Seems a reasonable definition. It exists! I hate to contradict the man himself, but Flamenco Sketches is not terrible at all, Miles, in either version. You must log in or register to reply here. Melbourne, Victoria. #1. At other plants, stampers were deliberately chosen from different laquers. you'Ll find love for music, intimate relations, well made drinks, and the likes. Bridgeport (plant address: 1473 Barnum Avenue) remained in operation to the end of March 1964 (a luxury condo, called Columbia Towers, now are situated on those grounds). Good luck, L edition numrot de 2015 Dans un emballage carton bleu. Do You Need a Mono Cartridge to Play Mono Records? I dont know if this was the case during the original release, but seeing that sometimes it was intentionally done to get a different result it brings in to question the validity of the subsequent remasters. I know the company doesn't forcibly place them in anyone's hands. This is relevant to this thread because I'd like to pick up the Sony release of KOB. Who knows? The stereo versions are mixed in a similar fashion with center mixed into both left and right channels. The LondonJazz News Team / Contact Details, PREVIEW/ INTERVIEW: Ian Bowden, Rye Internatonal Jazz & Blues Festival, (Aug 21-25), REPORT AND PHOTOS: Gareth Williams/ Trish Clowes at the Watermill Dorking. P.S. Miles Davis "Kind of Blue" Monophonic Reissue From Sony/Legacy: An Miles Davis Mono or Stereo? : r/vinyl - Reddit There may have been 27 lacquers cut but many letters never appear, and only a limited number of lacquers appear to have been actually used for pressing. Its a double album, with the first LP offering the record in its original stereo form (speed corrected, of course) and a second disc featuring the first take of Flamenco Sketches on one side and a version of Green Dolphin Street on the other. A Love SupremeMono or Stereo?? - Audiokarma Home Audio Stereo They all sound good but the SACD is sublime. A lacquer pair includes Side 1 and Side 2 of the record. I can understand why people rave over immense Klangfilm field coil open baffle loudspeakers in a single mono configuration. There is a recordwhich is perfect to test the theory of Columbia matrixes to see how well it explainsand dates the manufacture ofColumbia records in practice the immortal Kind of Blue. Take that away and things work quite differently in practice. I didn't realize Music On Vinyl was releasing this same version on RSD as the Columbia pressing. I wonder how a fancy (like Mikey's German unit) or homebrew ultrasonic would do for getting the embedded plastic grunge off? The mono original (and reissue) provides a better overall instrumental balance, with greater emphasis on the piano and more solid imaging. He is a true magician when it comes to breathing life into music. These recordings were made in the early days of "stereo". One was selling in the marketplace but asking a question about something for sale is apparently a 'conversation.'. A plant didnt get the memo and carried on using old pre-correction labels. CK 43rd; CL 44th; DA 45th; DB 46th; DC 47th; DD 48th; The four monos I have vary from Poor to VG. By continuing to use this site, you are consenting to our use of cookies. After hearing a lot of different versions of KOB I believe it's just the sound of the mute which is raw and gritty. What is the slight distortion that is present in every copy of KOB I've ever heard? Of all the large number of combinations of lacquer pairs, just two stand out as being symetrical: 1D/1D and 1J/1J. Mono/Stereo is a big zone of interest for all jazz fans and record collectors, why not give it another airing, with a new focus. Though inexplicably they don't list the dates! Promo Cover Fabricator (update April 13, 2020). JavaScript is disabled. Evidenced by the Side 2 track-listing error, mono lacquers A, B, C and D (any onboth sides)were used in the first pressingrun, together with a small number of others: a minorityof D1/D1 copies had the track list error, and one 1H/1D (1H lacquer used also for promo) was found with the erroneous label, though there may be others. The importance of wires, auditioning methods and othertips. Click the answer to find similar crossword clues . But just to make it crystal clearTao has gone on record many times to state he was always futzing with the speed of Miles's tracks to make sure the "groove felt right". This is the first take of Flamenco Sketches. The mono tapes have gone missing. The Music On Vinyl Kind of Blue is indeed a deluxe package which offers considerable bang for the buck. It pretty thoroughly answers your questions. About these vinyl. Mono & Stereo 2022: INTERVIEW WITH STEVE HOFFMAN That evidence is the Cover Fabricator Code found on the bottom right corner of the jackets accompanying promos. This is true EVEN IF the original artist/people are involved in the later versions. I just bought the 24/192 versions of KOB (mono and stereo) and they sound great. Two hundred fifty auction copies with good stamper information and photos of both labels were found: 200 mono and 50 stereo, reflecting the slow early uptake of new stereo phonograms in the late 1950s and early 1960s, The reason why Columbia cut so many lacquers used to puzzle me, but I see it now as a very smart system of distribution and quality control, with inexpensive redundancy built in. I saw Arthur's comments about distortion and as I was listening I instantly understood what Arthur was commenting on. You can 'see' further into the mix and hear a clear delineation of direct and echo chamber sound as well as what sounds like 30th street studio room sound. If you listen to this audio over numerous speakers, the identical call will be replicated to each of them. Indispensable, LondonJazz is a not-for profit venture, but may occasionally take on work as a paid publicist and/or sell advertising packages. I even threw in the 90's SBM cd for the hell of it. This was released as a single recordafter the blue vinyl(different masteringfrom Kevin gray). Any recuts would be the next higher number for that plant. You might find this review informative: Now not quite so "new" to Head-Fi but not new to headphones, audio, music and especially jazz. plant, C and D for Terra Haute, In. Or about Kind of Blue, "This was the only album in the set that we had to mix from the original . I've looked at the website and so far all I've learned is to find a local participating record store. I found 20 sufficiently sharp pictures of back covers acompanying promos. You are right, I don't see on the record store web site the second date for this year. They occur in offset mirrored pairs H/D D/H, D/G and G/D, just one exception a mono promo 1D/1D has been found, so matching plates did sometimes occur, though in every other case, they do not i.e there was a process and reason behind selecting unmatched pairs, not a random or chance selection. I've inherited more than a few LPs that are "reprocessed stereo" or "electronically enhanced for stereo effect" and other words to that effect. Been dying for a decent mono version of KOBE since I got into jazz about a year ago. It may not display this or other websites correctly. At 1D on both sides, Side 2 was found in both correct and incorrect track listing order i.e. Since I was just listening to this new reissue from Sony on mono, I thought I would revisit Mikey's writing about it. Those who have recognized it have shared many wild theories. Pour a glass or cup of your preference and press play. Since neither mono tape surfaced it must be assumed they were repurposed or stolen. Though lacquers were cut and numbered sequentially at the point of manufacture, for Kind of Blue at least, they were not drawn for use sequentially. Seems a bit confusing with all these different pressings. These identifiable early stereo pressingsare pictured below. The label correction is believed to have taken place around November 1959, on the instruction of Teo Macero (hat tip Enrico!). And it makes sense in local marketing expertise: getting promos to their local radio station disk jockeys. I've read about Sony releasing great albums, but how do I participate in Record Store Day? At least that's my understanding of how it worked. the Amazon Associates Program via amazon.com. W.B of New York adds following correction (September 16,2017): To understand how Columbia matrix codes worked in practice, over 1,000 individual Ebay auctions of. Miles Davis - Kind Of Blue Vinyl LP Review And Comparison - YouTube The prime stereo tape recorder had been running just over one percent slow, so on playback and during the mastering of albums it ran a little fast. Discussion in 'Music Corner' started by Adagio, Jun 27, 2021. Did the 2022 Revolver mono vinyl LP from the box set come in a stereo jacket? 1A stereo is only found paired with higher value letter (e.g. c. 1966 Unfortunately, the Kind of Blue mono master tape no longer exists. Another fifteen lacquers contribute to the final tally of all those found. It's truly stupid for vinyl sellers like Insound.com to sell those things. No point now crying over degaussed tape or whatever happened. The above example on loan from a friend has 1D/ 1G stamper matrices, the Side 2 label track sequence error, but more interesting are the T/ TA stamps on the opposite side of the deadwax. 9 Modern Album of Terre Haute, IN when supplying Chicago Jacksonville, IL plant. the typesetting differs, a small point-size round font on one line There are a very large number of 1D/1D and 1J/1J matchingletter pairs found, which all have the same one line album title label style. Epais comme un vinyl de pressage us. and from others better equipped than I to shed light on its innate greatness or lasting musical significance. In preparation for the commercial release, Columbia engineers cut at least 27 identical lacquers from the first master tape mix, one set mono, the other stereo. Columbia owned several different vinyl pressing plants over the years,consolidating operations and closing older facilites from time to time. It has been lost and missing from the Columbia vaults for a very LONG, LONG time. AH 19th; AJ 20th; AK 21st; AL 22nd; BA 23rd; BB 24th; Many sellers omitted mention of matrix codes completely, oridentified only one side, on the assumption the other side would be the same (they are usually not). Why didn't they use the orginal mono tapes? Looking forward to Jazz Track too. Stampers had a limited life of maybe around 4,000 pressings, well within the range of promo requirements, fits with one-plant theory, and distributed manufacture counter-theory. Quite a lot, as it happens. It follows more or less the overall Columbia evolution Guaranteed High Fidelity becoming MONO (white print); and STEREO first in black print then white print. They can't find the tapes. . Beatles 2022 Revolver Mono in the box: stereo jacket? | Steve Hoffman 6 Imperial Packing Co., Inc. of Indianapolis, IN when suppling West Coast pressing plant LP review by Andrew Cartmel). I bought all the MOFI releases and Love them, the Analogue productionsMiles davis Mono releases and Now I need a good KOB copy. a bar in Copenhagen. Kind of Blue est un album de jazz de Miles Davis sorti le 17 aot 1959 sur le label Columbia Records (rfrenc CL 1355).Il a t enregistr la mme anne, du 2 mars au 22 avril New York. Rest assured, what you are hearing is what was recorded. It sounds like a microphone that is being over-driven. John Marks' account of hearing the three-track master tape at Sony Studios, I don't know a lot about record store day. Released 17 August 1959 on Columbia (catalog no. The highest value found was 1BD for Side 1 and 1BE (27th lacquer) for Side 2. Instead what you got were three islands joined together with added reverb. I haven't had a chance to turn it up yet but it seems the instruments are further up in the mix and I could hear deeper into the background. Barcode and Other Identifiers Barcode: 4 547366 450958 Other Versions (5 of 502) View All Recommendations Kind Of Blue Miles Davis :-). When KOB was originally recorded, Columbia ran simultaneous mono and three-track stereo tape recorderstwo each, one of each being for safety back-up. CD 37th; CE 38th; CF 39th; CG 40th; CH 41st; CJ 42nd; Genres: Modal Jazz, Cool Jazz. Unless you can come up with one of those original LPs, this is as good a sounding Kind of Blue as you will find. Affiliate programs and It got me "in the room" or studio, with the guys, where mono just did not, so I find it kind of (sorry) bizarre that, under almost any circumstance, mono would be the preferred medium where stereo is available. 2: Spirit "Spirit" is a cartridge of the central existence by the development of the vertical axis concentration method. Green Dolphin Street was recorded just before the Kind of Blue sessions and features the same line up John Coltrane tenor sax, Bill Evans piano, Jimmy Cobb drums and Paul Chambers bass. Surely you've read enough about how it dispensed with chord changes (etc.) Vinyl LP included is in stereo and was wondering (as a guy whos relatively new to jazz) whether Miles Davis (and any jazz record pre-1968-69) should be listened to in mono or stereo?
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