- EX: "Cantaloupe Island", - founded by members of Miles Davis's 2nd Great Quartet the opening passage of rhythm a ning features quizlet. John Lewis, Milt Jackson, Percy Heath and Kenny Clarke were part of a group known as: Milt Jackson played a rather unusual jazz instrument. Identify the subject in below item. He actively performs around the New York metropolitan area and is the author of the Hal Leonard publication "Visual . - late 1960s/e. The drum grooves of "Concerto for Billy the Kid" display the influence of what style? "Moanin" by Art Blakey and the Jazz Messengers (on Spotify or Youtube) features: What is the first instrument you hear on "Moanin" by the Jazz Messengers? The public's tastes were formed by swing, which functioned as dance music and entertainment, and it viewed bebop as a fad. PDF: rhythm a ning pdf sheet music. (fathom), an abrupt, two-note ending to a melodic line, it was performed by small combos rather than big orchestras, To weed out inexperienced improvisers, jam sessions would often, a Harlem jam session spot where bebop was founded, Drummer Kenny Clarke shifted the pulse from the bass drum to the, Kenny Clarke derived his nickname, "Klook," from, his combined snare drum and bass drum hits, Bebop was known for the "flatted fifth," which was. How does the concept of modernism apply to the evolution of jazz since the bebop era? The musical innovations of bebop grew out of, Among the drummers crucial to the bebop style were, This talented trumpet player was also the intellectual force behind bebop, Charlie Parker was crucial for linking the modernist complexity of bebop with, Bebop soloists were inspired by the fluid, discontinuous phrasing of. d. cutting grass. The form given may be correct. Each of these short fragments is known as a(n). The stressed and unstressed beats produce different results that make every poem different. Wrote many popular tunes that became standards of the jazz repertoire: "It Don't Mean a Thing" (1932). Which term best describes how Monk sounds on the piano? a head arrangement. Cootie Williams (trumpet), Johnny Hodges (alto sax), and Barney Bigard (clarinet). As a clarinetist: excellent swing feel with regular phrasing, blues inflection and a fast vibrato. "There (is, are) much gray in his hair.". Then, in measures six and seven, he plays the riff again, but he shifts it two beats later, so the accents fall differently. He struck the strings with his thumb instead of a pick. Which of the following is true of George Russell's theory of modalism? A rhythm section so independent, the members appeared to be soloing all the time, Which of the following describe the tune "E.S.P" except that the melody uses intervals of a fourth. Had hard times later. Its not as difficult to play as it sounds. 3. Captured the first steps in what proved to be the transformation of swing to bebop. This piano solo features which of the following? C. their colors will be bright, like confetti. A pinnacle in jazz improvisation. - his piano trio was a new approach- independence between instruments Bubber Miley, "Tricky" Sam Nanton, and Harry Carney (baritone sax, deep and rich) were key unique players. You can improvise over any string of dominant chords going around the circle of fifths by just alternating the yin and yang scales. Strayhorn's last composition, written while he was dying in the hospital. Find three examples from the text that support your ideas. But this is only "sedate" by Monk standards. ellieea01. literature. - features: theme phrase, from James P. Johnson's A strain (see Chapter 5), recurring throughout; descending chromatic chords in B strain, from Johnson; harmonic cycles within the "C" and "D" strains; disappearing and then returning triple meter in "D" strain, - style: contemporary He played the, The first instrument that you hear at the beginning of "Vendome" is, The combination of classical and jazz influences in "Vendome" suggest it should be classified as, The vibes player on this recording of "Vendome" is. Small for the time. - combined blues and ragtime Boplicty, by the Miles Davis Nonet, (on Spotify or Youtube) begins with a long piano introduction. 1970s moved in direction of funk-fusion- greater audience appeal; use electronic keyboards and synthesizers exclusively Anthony Braxton/Max Roach: "Spirit Possession", - style: hard bop/fusion Eddie Durham helped them write out head arrangements and edit submitted arrangements to fit their uncluttered, clean style. Big-band swing. She absorbed the influences around her, including Earl Hines, Jelly Roll Morton, and James P. Johnson. Heres another alternative version with Gerry Mulligan that I dont especially like. You must, instead, intensify it. How many twelve-bar blues phrases are heard in this excerpt? What does the term M-Base stand for, and what does it mean? -Small group swing, 32 bar pop song. -Big-band, swing style. Etymologies are easy to find because they appear within brackets ([ ]) or double brackets ([[]]) within a dictionary entry. Guiding Questions 2. Listen to his comping behind Charlie Rouses tenor sax solo; no one else plays like that. MODAL JAZZ Trombone and electric guitar Eddie Durham was an arranger. Wrote for his specific musicians and gave them each a unique sound. Had Twelve Clouds of Joy, a commonwealth band. Melody from Barney Bigard (clarinet, originally tenor). These same six pitches also comprise five other whole tone scales: C, D, E, G-flat, and A-flat. If you were handed this melody and told to harmonize it without knowing what Monk had intended, theres no way youd think to put rhythm changes under it. This kind of displacement is a classic Monk-ism. -Billie Holiday - hotter style that evolved into hard bop The melancholy mood of "Blood Count" reflects which situation? POST BOP As a composer, he expanded the variety and scope of American music. he incorporated KC blues into the new bebop language, adding a new quality to bebop. For which form of arrangement is Gil Evans best known? 32-bar AABA. incorporated approaches from classical and popular music, Mechanical royalties from sales of a record are divided among all of the following, except, the instrumentalist or vocalist improvising on the recording. I call this collection of pitches the yin scale. JOIN FOR DONATION. This is known as Answers: a riff. Invented melodies that floated over the chords. Among the pioneers of cool jazz are the following pianist/composers: This musician was a bebop soloist who became a leader of cool jazz: The _______ is commonly known as "The Birth of the Cool" band, deemphasize improvisation in favor of composition and use orchestral instruments such as the tuba and French horn, John Lewis left the Miles Davis Nonet and formed his own jazz ensemble, called. You play the yin scale on F#7, the yang scale on B7, the yin scale on E7, the yang scale on A7, the yin scale on D7, the yang scale on G7, and so on, simply alternating back and forth. Has "exotic" opening mood played by Juan Tizol (trombone, plus Lawrence Brown); eventually switches from Latin to swing. This baritone saxophonist became famous for leading a "piano-less" quartet in 1952: This musician was a bebop soloist who became a leader of cool jazz: a hard bop drummer and the leader of the Jazz Messengers, Cool jazz derived its fondness for restrained timbre and light vibrato from, Among the members of the Modern Jazz Quartet were. The melodies are catchy enough to whistle in the proverbial bathtub, but when you dig in intellectually, they reveal endless weirdness. George Russell wrote "Concerto for Billy the Kid" to highlight the following soloist: Thelonious Monk's compositions usually featured which of the following form(s)? Sharpened Poetry: Revision Strategies. Place a check beside each sentence that contains an adverb clause. This idea is easy to misuse. In this, our final week, we'll discuss the difference between revision and editing, the art of reading your own work critically, and the beauty of drafts. Contained all the attributes that he brought to jazz. dissonances, such as minor ninths, tritones, and minor seconds, All of the following are sources of the melody of Thelonious Monk's "Rhythm-a-ning" except. Uses the New Orleans front line of trumpet, trombone, and clarinet sound differently, with muted brass and low-register clarinet. On the lines provided, change these items into contractions. Jazz Chapter 13. -the drummer accents the backbeat. This pianist on Miles Davis's recording of "So What" helped to establish the tune's modal flavor: Some critics feel that compared to Dizzy Gillespie, Miles Davis had a shortcoming as a trumpet player in his, speed, virtuosity, and use of the upper range of the trumpet, Miles Davis's 1954 recordings with Horace Silver and Kenny Clarke helped to establish, Miles Davis was fond of altering his timbre with, The rhythm section of Miles Davis's 1950s quintet included, Among the orchestral albums Miles Davis created in collaboration with Gil Evans in the late 1950s were, Miles Davis's interest in modal jazz was sparked by, improvising for the score of a French film, Bill Evans was especially influential in his pioneering of. Which of the following is true of John Coltrane's early life? Something about which it is usually important to be perceptive Byron Almen, Dorothy Payne, Stefan Kostka, Music in Theory and Practice, Volume I Workbook. cabaret tax on venues with singing/dancing He played a few of his piano variations on Ellington's "Sophisticated Lady." The musical genre that emerged on the East Coast and featured a heavier, impassioned timbre is known as. You have major and minor colliding, unresolved tritones that nevertheless sound at rest, and blue notes that are out of tune by Western standards. Which of the following is true of the "So What" ? Verified answer. After swing era: he fell out of favor until "reborn" at 1956 Newport Jazz Festival and Paul Gonsalves solo; composed several highly sophisticated suites based on classical compositions: The Nutcracker Suite, Peer Gynt (1960). Begins with a scat intro then into lyrics. Modernism asserts that art develops from simplicity to complexity. Miles Davis gained experience in a new way of improvising while working on what project in France? - one of the first to use electric keyboards and synthesizers in jazz; used nontraditional instruments EX: "The Pearls"- historicist, Jelly Roll Morton original, virtuosity in fusion and mainstream; ventured into mainstream jazz after success in fusion; Brecker Brothers; primarily tenor sax but also EWI, historicist avant-garde fusion; classically trained, heavily influenced by Monk and others; "You've Got to Be Modernistic" (2002), accomplished musician (piano) and mathematician, inspiration from Indian music; "Lude" (2012), contemporary singer and bassist; 2010 grammy best new artist; project by project- Chamber music Society, Radio Music Society, Emily's D+Evolution; "Short and Sweet". The first two-thirds of Sonny Rollins's recording of "Autumn Nocturns" consist of a. She had a very limited vocal range, Singer known for her joyous, versatile voice: wide vocal range, dynamic contrast, timbre contrast. Some of Bill Evans's most important trios, which was recorded at the Village Vanguard in 1961, was formed with the drummer Paul Motian and the bassist. Identify and explain: Sherman Antitrust Act, Knights of Labor, Terence V. Powderly, Mary Harris Jones, Great Upheaval, Haymarket Riot, American Federation of Labor, Eugene V. Debs. How was the social turmoil of the 1960s reflected in jazz? During the 1920's, critics attacked Louis Armstrong for playing popular songs. The 6/4 chord in the excerpt sounds as if it's preparing a (cadence/cadenza/modulation/both a cadence and a cadenza) 1. Dizzy Gillespie, who died in 1955, had his career cut short by his addiction to heroin, Norman Granz's concerts were rowdy and competitive affairs, dismissed by critics as vulgar and incoherent, This excerpt of "Now's the Time" begins with the sax repeating a short melodic fragment. What role do colleges and universities play in jazz pedagogy? Of the tracks on the album, only "Giant Steps" became a jazz standard. Widely considered as one of the most important musicians in jazz - he is one of only five jazz musicians to be featured on the cover of Time - Monk had a unique improvisational style and made numerous contributions to the standard jazz repertoire . Mingus consistently drew inspiration from the following Swing Era bandleader and composer: Mingus's small ensemble, a loosely organized group of musicians willing to perform his work, was known as the. What nonmusical factors led to the emergence of bebop in the early 1940s? Its so wrong, its right! Should I take portuguese or french next year. She articulated similar to Lester Young's solo style. What did Wes Montgomery's technique differ from that of artists? emilyriordan99. MODAL JAZZ A and c only All of the following general parameters of avant-garde jazz are correctly described EXCEPT: instrumentation: limited to rhythm section plus horns Later in his career, Gil Evans embraced jazz-rock fusion and recorded orchestral Guitarist Freddie Green had soft, four-to-the-bar chording. - structure driven by nontonal melodic intent, melodic fragments evolve - Bebop's agitated, yet highly intellectual style To weed out inexperienced improvisers, jam sessions would often. The alto saxophonist heard in this excerpt is (00:30) Cannonball Adderley. They were part of a jazz quintet led by, The first two chords of "So What," built on the interval of the fourth, are known as, The style of improvisation heard in "So What," is, The tenor saxophone soloist on "Acknowledgement" is, On the highest notes in "Acknowledgement," the saxophone soloist, The saxophonist in "Acknowledgement" improvises by manipulating short fragments of melody. Started with two-beat rhythms and turned to four with the addition of bass. The foundation of rhythm and harmony Match the instrument to its common role in a jazz group: Horns (trumpets, trombones, saxophones, etc) Melody - stating the tune, improvising solos Match the instrument to its common role in a jazz group: Piano/guitar Harmony - providing chords Match the instrument to its common role in a jazz group: Drums What song form does this composition follow? - irregular 9/8 metric grouping Ensemble: Compare and contrast bebop and cool jazz. D. at first they look like birds perching in the trees. Choose the answer that best describes the action or situation. Instead, he trips and stumbles and staggers through the meter, yet somehow he always lands precisely where he intends to. Wrote some riffs to maintain order. Correct each error, using capital letters and Lowercase letters where they are necessary. Territory band run by Benny Moten (ragtime pianist), who hired Basie and string bassist (former tuba) Walter Page. Blind pianist who composed convoluted melodies over standard chord changes. Cool jazz, in the context of jazz styles, has. Both Marsalis and Moran add on to the songs they are covering, expanding and exploring them. Label what each interval becomes when it is inverted. - beg as acoustic, moved in direction of fusion esp. c. shoe polish In the beginning, the two horns play the same rhythm harmonized. concerto-form works designed to feature soloists. Changed from a practice that was influenced by European classical music (Third Stream) to one that mined the jazz past, including New Orleans polyphony, stride piano, breaks, cadenzas, and standard jazz and pop themes. - intellectual style based on thick texture of contrapuntal inner voices Modal jazz (1960-5): "A love Supreme" (1964) Cootie Williams (trumpet), Sam Nanton and Juan Tizol (trombones), Johnny Hodges (alto sax/clarinet), and Harry Carney (bari sax). The composition is on the form of a fugue. FUSION Similarly, Moran adds his own variations to "You've Got to be Modernistic," altering or stopping the tempo with asymmetrical impulsiveness. How were the albums by Miles Davis second great quintet received? We give you 6 pages partial preview of Rhythm A Ning music sheet that you can try for free. Hawkins version confirmed it as a jazz and pop standard. - conventional instrumentation used in unconventional ways fretless bass, proponent of traditional/historicist jazz Crooning style. - harmonic progression based on scales The bassist was freed from keeping time to play strong melodic ideas, At the height of his career, John Coltrane played the _____ saxophone. The Poet. Rhythm-a-Ning, 1945. - "Avant-garde Ellington"- wrote for musicians who stayed with him for a long time, - avant garde approach to traditional jazz In jazz, you mostly use the whole tone scale on dominant seventh chords. - "Birth of the Cool" - used whole tone scales/ extended harmonies Quis autem velum iure reprehe nderit. -Fats Waller. Billy Higgins drum transcription available, plus a Solo Piano Arrangement, parts for two tenors, and a new quintet arrangement. -Lester Young an interracial jam session in concert form. The effect is like stepping out a window, but then drifting gently down to a safe landing on the sidewalk. To make it sound bigger, Williams had one of the trumpeters play with the saxophone section, using a mute to help blend. In 1998, senator John Glenn participated in a Nasa mission. When both Columbia and RCA Victor announces improvements to the brittle 78-rpm records that dominated jazz recording until the late 1940's, how did the industry respond? Ellington rewrote long versions of old pieces and wrote film music. Second person point of view utilizes the pronoun "you" to address the reader and bring them into the action of the story. kristin cavallari pasta; music youtube google; big thicket national preserve deaths; Hello world! Which of the following was a white, cool jazz, trumpet player who played with a tone similar to Miles Davis and also won a huge following as a singer? - 1960s: stretch limits of harmony and form musicians union strike 1942-4- ban on recording. Click the card to flip . - Second Great Quintet (1963-8) - features: Spalding's expressive composition; her unusual use of the voice as a melody instrument; the piano trio ensemble (piano, bass, drums), which steadily builds the music to a climax, a form of contemporary music created by DJs in the 1990s, relying heavily on samples taken from jazz recordings from the 1950s and 1960s and combining them with rap and hip hop, method of improvisation found in New Orleans jazz in which several instruments in the front line improvise simultaneously in a dense, polyphonic texture, a new piece with the same chord progression as a preexisting tune; a common jam session language of bebop. prolific composer/bandleader Jazz Final. Out-of-work musicians would gravitate to clubs where they could just sit in and play. -Benny Carter This baritone saxophonist became famous for leading a "piano-less" quartet in 1952: combining jazz with the Baroque style of J. S. Back AND performing in concert halls wearing tuxedos, Among the members of the Modern Jazz Quartet were, Third Stream music proposed to mix jazz with, The term "Third Stream" was coined by the conductor and musicologist. 10 terms. introduction of the LP (long play): allowed bebop tunes to be longer, with lengthy solos- but less audience friendly, Psychology unit 3 learning and cognition chap, Byron Almen, Dorothy Payne, Stefan Kostka. : CHARLIE ROUSE, STEVE LACY, AND THE MUSIC OF THELONIOUS MONK RYAN D. W. BRUCE A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLM A tribute to Thelonious Monk's Rhythm-A-Ning that takes the classic theme into new directions. Monk uses a lot of circle of fifths progressions, and often alternates the yin and yang scales over them, but he never plays predictable patterns. head arrangements - Kind of Blue (1959) set the standard for modal jazz In the bridge (B phrase) of this AABA head the pianist plays two descending _______ scales. The arpeggio riff from the first four bars was apparently common property among jazz musicians before Monk wrote his tune around it. What is the instrumentation of the arpeggiated theme heard at the outset of this excerpt? "You've Got to Be Modernistic" (1930), known for hot style, helped define big band music in Swing era; staff arranger for Benny Goodman - late 60s: experimented with rock-oriented rhythms and electronic instruments Casual arrangement, specialized in head arrangements that were created collectively and passed down orally. Played theaters and dance halls. John Lewis. He moved to popular music after discovering that opportunities in the classical world were limited for blacks. Has ambiguous beginning, then Johnny Hodges takes the melody through a number of keys (with variable intonation) before reaching a crescendo in the second bridge. Its theme is permanence of love. Extended pop song AABA, big band jazz. The jazz composer Thelonious Monk wrote about ___ pieces, Thelonious Monk's professional career began in, Monk's approach to improvisation is striking in its use of. Click the card to flip . In measure 24, Monk finally resolves to the expected F7 chord, but with a classic Monk-ian cluster voicing that hammers out B naturals in octaves. After Duke Ellington, who of the following is the most performed of all jazz composers? Barney Bigard brought New Orleans woody clarinet sound. It was composed in the face of the composer's failing health, The saxophone melody in "Blood Count" features, The ensemble accompanying the soloist in "Blood Count" is, The bassist and composer heard in "Boogie Stop Shuffle" is. stride piano: left hand strides between low bass notes and midrange chords, right hand melody usually seesaws; grew out of ragtime: ragtime form, combining syncopated rhythms and smoother swing style a witty, genial stage persona, ______ is given credit for the new drumming technique known as "dropping bombs. jazz quiz 10. Percussive and sporadic, attacking the keys as he plays, The alto saxophone featured at the beginning of "Blood Count" is played by. The ensemble performing "Now's the Time" is, The pianist on this recording of "Tempus Fugue-It" is, Sonny Rollins was influential in his use of. B. they start cringing on the trees. Cootie Williams, Lawrence Brown, Paul Gonsalves (tenor), Harry Carney (bari). Had dueling tenor saxophonists Lester Young and Herschel Evans. The first theme is in E minor. In addition to Miles Davis, the album Kind of Blue featured all of the following players, except: For his late album, Ascension, John Coltrane, used a radical free improvisatory approach, pushing further into the avant-garde. Survey of Jazz Flashcards Midterm 2 Chapter 9, Survey of Jazz Flashcards Midterm 2 Chapter 12, Byron Almen, Dorothy Payne, Stefan Kostka. Rewrite each sentence following the instructions in parentheses. - very slow harmonic rhythm based on modes Use the clues to complete the crossword puzzle. - 1980s and 90s cont push limits- incorp hip hop and rap elements. Most talented in the recording studio. When you revise a poem, you are not trying to dull the emotional flash of your first draft. 1 LWBK942-FM.qxd 6/25/11 8:45 AM Page x . small combo - EX: "Spirit Possession" w Max Roach, - influential post bop pianist Tommy sold Ray his car. Marsalis's version of The Pearls changes the rhythm, articulation and timbre of Jelly Roll Morton's original. All of the following are true of Wes Montgomery's pop recordings except. third stream quartet: vibes, piano, bass, drums; very professional, hard bop drummer and bandleader known for his unique drumming style of dotted eighth and sixteenth note pattern that guided solos; also extended drumming techniques- high hat stand, used elbows, hard bop pianist who composed memorable, singable melodies and brief catchy phrases over long bebop lines with a proactive comping style that guided musicians through solos, hard bop trumpeter who played with the Max Roach Quartet; conveyed a relaxed feel even on the most intricate and energetic melodic figures; played long fluid lines moving gracefully through chord progressions, along with Kenny Clarke, was an innovator of bebop drumming- coordinated independence; also part of hard bop and avant garde ("Spirit Possession"), influential pianist, composer and bandleader with a uniquely understated, intellectual style