Young Barbarians: Non-serious Seriousness and Hungarian Drive, Brian Friels Dancing at Lughnasa at the National Theatre: Josie Rourkes Spirited Revival of This 1990 Classic Is More Fun than Subtle. Cocteau said he wrote this play after his stable of female actors complained that their parts were too writer-director dominated. Touching the Azerbaijani Theatre: From Ritual to Spontaneity, The Digital Spectator. (Open from 11.30am - 7.30pm, Mon to Sat) Opium: The Illustrated Diary of His Cure Cocteau. Fees and availability are subject to change during the application process. You can opt-out at any time by signing in to your account to manage your preferences. Which is why it is a very odd decision to set this production in the present day. plus-circle Add Review. % In this extraordinary and prophetic monologue a woman fights for the person she loves. We will keep fighting for all libraries - stand with us! Theres also something faintly pornographic about the whole thing, a vicarious glorying in female mental disintegration that you also see in Tennessee Williams plays. These segments, however difficult for a modern audience, are nakedly honest and courageous in their vulnerability but do not sound or feel so here. Scattering, With Faith and Trust into the Future: The 10th, Broadway Bodies: An Interview with Ryan Donovan, Pilgrims Progress: Larissa FastHorses The Thanksgiving Play, Joy Wilkinsons The Sweet Science Of Bruising at The Southwark Playhouse, Shakespeare From Iran, And Other Radical Possibilities At The Kerala Theatre Festival, Easy Reading (or not): Cristina Moraless Lectura fcil on the Stage, Miriam Battyes Little Scratch at the New Diorama Theatre: Restaged Adaptation of Rebecca Watsons Novel Is Powerfully Theatrical, The Brilliance of Nuria Espert: Secrets, Lies and La Isla Del Aire, The Sphinxs Riddle Remains Unsolved. Text-Only View. on the Internet. C*x&Tz4I}}=D}`P Ive been forced to revise that opinion. At the library Jean Cocteau wrote it in 1928 as a simple showcase for an actress's range, and it's been done on stage by Ingrid Bergman and Liv Ullman, adapted into an opera by Poulenc and a film by Almodovar,. There have been vastly different versions of the central, tormented character, from Ingrid Bergmans tremulous chain-smoker in 1960 to Tilda Swintons imperiously wounded woman in Pedro Almodvars 2021 film. The story involves one woman on stage speaking on the telephone with her (invisible and inaudible) departing lover, who is leaving her to marry another woman. The Human Voice: Directed by Patrick Kennedy. Wilson seems to skirt over lines that represent her characters powerlessness (she feels guilty and refuses to blame her partner for the hurt he has caused her). Jean Cocteau's 1930 monodrama, La Voix Humaine, is melodramatic enough - but the play is toughened theatrically because the audience hears only one half of the conversation, writes Julian Murphet. The human voice / by Jean Cocteau ; translated by Carl Wildman. Kit de communication pour les institution membres. 102 page scans Catalog Record. In Cocteaus play, the woman speaks of voices in the phone cord as voices of the dead; the interlocutors disembodied ghost strangling her in a coiling wire around her neck. Using the telephone as a metaphor the cut or crossed lines a mirror to the couples emotional disconnect it is not just a dramatic experiment in voice but a painfully human play about being desperately, frantically, in love with someone as they coolly walk away. xWrS-[JOfl?i5'sfrK5 (E/wk;[sq9|lSC MhVG7|5z=+K.O/^Yc&G7gO7>|9V/Wh_bsoT/KT9E[ic6n 3 people found this helpful . In Cocteau's play, the woman speaks of voices in the phone cord as voices of the dead; the interlocutor's disembodied ghost strangling her in a coiling wire around her neck. Boxes 7-18 contain personal correspondence, most of which is thank you cards and opening night congratulations and professional correspondence. At their worst, they break the time-honoured theatrical covenant with us, and simply outstay their welcome. Some student information is restricted. In Toneelgroep Amsterdams curious staging, the critical prop, the telephone receiver, is a cordless one (which makes the great line about the cord around her neck meaningless). Veteran Spanish director Pedro Almodvar (Women on the Verge of a Nervous Breakdown) has adapted Jean Cocteau's short play The Human Voice into this extremely stylish, brilliantly realised . Of particular importance are the books Mason wrote, The Transcendent Years, Circle Repertory Company & the 1960s and Creating Life on Stage, A Director's Approach to Working with Actors. The Human Voice (French: La voix humaine) is a monodrama first staged at the Comdie-Franaise in 1930, written two years earlier by Jean Cocteau. This tool is unavailable at the moment. Physical description 13 p. ; 27 cm. Jean Maurice Eugne Clment Cocteau (5 July 1889 11 October 1963) was a French poet, writer, designer, playwright, artist and filmmaker. At the Harold Pinter theatre, London, until 9 April, Original reporting and incisive analysis, direct from the Guardian every morning, 2023 Guardian News & Media Limited or its affiliated companies. With Rosamund Pike. In The Human Voice, the red dress takes the form of a spectacular haute couture Balenciaga dome number that undulates as a gaunt and drained Swinton paces alone on the dusty sound stage, making her seem like a flowing, walking flame (as she confesses, "I am what's burning, my love"). This overnight substitution led to uncanny effects: distance was annihilated, voices were uncoupled from bodies, and a felt spectrality subsumed the other. Follow the detailed. Skip to main content. Cocteau's experiments with the human voice peaked with his play La Voix humaine. Part II Her, The House Where Phantom LivedPart I: The Majestic, Imagine/: Artificial Intelligence Comes to Theatrical Design, The Sphinxs Riddle Remains Unsolved. It becomes as stripped and sterile as the empty glass box of a set, designed by Jan Versweyveld, which seems to keep us at arms length with its clinical inscrutability. cocteau-the-human-voice-1960-bergman Scanner Internet Archive HTML5 Uploader 1.6.4 Year 1960 . You can listen to audiobooks purchased on Google Play using your computer's web browser. https://findingaids.library.northwestern.edu/repositories/6/archival_objects/479967 Accessed May 02, 2023. There have been vastly different versions of the central, tormented character, from Ingrid Bergmans tremulous chain-smoker in 1960 to, Tilda Swintons imperiously wounded woman. The Human Voice by Jean Cocteau New authorized English version by Anthony Wood A woman awaits and receives a phone call from her lover who has recently left her. Unfortunately, Bookmate cannot review all the uploaded files due tolack oftechnical feasibility. From the Collection: Reviews Scripts and rental materials are not included in this estimate. The Human Voice 1973 . . As such, it is a masterful display of how much realism can be read into an 80-year old play. jZABi@\Phu*?I0Xj0.#Mv@=oLHa5aU~F5L@C98g!Xd!gFIG ^`y(ddPd$AhS?w+CU\XJ8c)h d6paCb*XL-#*I]kHrjr|o#8z$DHAP O1.98XVc!`JMQGb+S=\zuM{?S'i&l D[n3 A+S0z]oBP`/}]fZjo`~h MGySGhmM_;qsB-ewk1&$x=^tF6=d(Z aB}gFeO|9m`G? [3] There was also a 1998 BBC Radio production by Robin Rimbaud. La Voix humaine is deceptively simple a woman alone on stage for almost one hour of non-stop theatre speaking on the telephone with her departing lover. It immediately says something about the differences between Jean Cocteau's brilliant 1928 dramatic monologue The Human Voice as first put on screen in 1948 by Roberto Rossellini with the im Julian Murphet ne travaille pas, ne conseille pas, ne possde pas de parts, ne reoit pas de fonds d'une organisation qui pourrait tirer profit de cet article, et n'a dclar aucune autre affiliation que son organisme de recherche. These are recordings of plays and interviews. Would you like to write reviews for The Conversation? The majority of the photographs are if productions Mason acted in or directed. Professor in Modern Film and Literature, Director of the Centre for Modernism Studies , UNSW Sydney. In Cocteaus play, the woman speaks of voices in the phone cord as voices of the dead; the interlocutors disembodied ghost strangling her in a coiling wire around her neck. A monologue of a woman talking on the phone with her longterm lover who is about to marry another girl. Serials, boxes 125-128, are journals and magazines related to the theater as well as special editions commemorating prominent people. Rights. Facebook would presumably have saved this woman from her fate. Only rarely does the attention stray from what she is asking us to credit as psychologically plausible. <>stream Before came Orphe, later turned into one of his more successful films; after came La Machine infernale, arguably his most fully realized work of art. La Voix Humaine runs January 9-13 2014 at Carriageworks, Sydney. These were sent to Mason for his consideration. You must be at least 18 years old to create an account, Must be at least 6 characters, include an upper and lower case character and a number, I would like to be emailed about offers, events and updates from Evening Standard. In various ways, the world of this play is no longer ours. The woman plays her mindless pop music off an iPod. Please try again later. finishing the play as if the bedroom is drenched in blood.. kZ8Yd Sydney Festival/Prudence Upton, Halina Rejin is performing Jean Cocteaus La Voix Humaine at Carriageworks as part of the Sydney Festival. What is key is the grip of the emotional drama. Halina Reijn onstage at Carriageworks in Cocteaus La Voix Humaine. Read our, {{#verifyErrors}} {{message}} {{/verifyErrors}} {{^verifyErrors}} {{message}} {{/verifyErrors}}. A translation and adaptation of Jean Cocteau's play "In the new adaptation, the colloquial style of the writing and the sense of here-and-now aids the cumulative effect of the woman's self torture () Her assumed fortitude gradually crumbles over an hour as inner desperation rises to consume her. 'The actress should give the impression that she is bleeding, losing her life's blood, like a wounded beast, finishing the play as if the bedroom is drenched in blood. Request licence Main Menu Files extracted from CDs and DVDs include recordings of performances.Digital: Includes born-digital files extracted from a cloud server, floppy disks, and USB thumb drives; content includes records from Mason's time at Arizona State University, audio files, videos, biographical materials, correspondence, records on Landford Wilson, plays and projects records, teaching records, and writings.Subject files: Boxes 149-152, contain papers on a variety of topics both professional and personal. In Cinemas 19 MayMadness and melancholy intersect to thrilling effect as Almodvar reimagines Cocteau's short play The Human Voice for an era in which isolat. These working scripts include notes, schedules, stage and costume design and photographs related to each production. Rail services disrupted after person hit by train in north London, 100 officers injured amid violence during pension protests in France, Aerosmith announce farewell tour marking 50 years together, Explosion derails train in Russian town near border with Ukraine, Royally Big Portrait of the King unveiled ahead of coronation, Donald Trump says its great to be home as he arrives in UK, Shakespeares Globe Iftar is a reminder of forgotten England-Islam relationship, Private Lives at the Donmar Warehouse review: joyless affair fails to spark, The Evening Standard Theatre Podcast | Creators of Operation Mincemeat: A New Musical. It is also true that none of Cocteau's works has inspired as much imitation: Francis Poulenc's opera La voix humaine, Gian Carlo Menotti's "opera buffa" The Telephone and Roberto Rossellini's film version in Italian with Anna Magnani L'Amore (1948). The director Ivo van Hove also adapts Cocteaus script and manages to divest it of its raw emotional power and momentum. With Ingrid Bergman. Together they comprise an overview of Masons long career as well as a panorama of the stage productions during those years. Strange Way of Life is Almodvar's second English-language production, after The Human Voice, a 2020 short film starring Tilda Swinton and based on the play by Jean Cocteau. Of special note is letters from Alvina Krause.Business Records: Boxes 19-20 contain various bank statements, investment prospectuses, accounting papers and tax papers.Northwestern Productions: Box 21 contains papers related to the formation of the theater company, bank statements, brochures, business meetings and production plans.Eagles Mere Playhouse: Box 21 contains information on the 1931 theater company and Alvina Krause.Circle Repertory Company: Boxes 22-24 contains papers related to the business side of Circle Repertory Company, board meetings, correspondence, notes, history of the company and planning for productions.Arizona State University: Boxes 25-27 contains papers related to Masons teaching career, commencement programs, class evaluations, annual review portfolios, brochures for plays and syllabuses.Society of Stage Directors and Choreographers, Inc.: Box 28 contains papers on board meetings, by-laws, correspondence, and newsletters.Writings: This series is divided into three sub-series Scripts, Screenplays and Prose and Poetry. 'I'm whispering into your ear - and we couldn't be further apart.'. The other off-putting directorial decision is the arbitrary one of turning the set into a device for breaking up the monotony of the telephone call. Even the regrettable moment when she tongue-kisses the mans empty shoe is made tolerable by the graceful and sincere effort she brings to the gesture. With this new inhuman instrument now the prime mediator of the human voice that rich sonorous carrier of soul broken down into electrical signals and travelling at light-speed rather than the speed of sound the very substance of intimacy had been usurped. At the critical point, she leaves the phone to appeal directly across the fourth wall, or sliding plate glass window, to us and her lover now revealed as a neighbour Rear Window style. And for all its theatricality, the play remains stolidly sedate; a 65-minute monologue that creeps to its end. This deprivation of dramatic oxygen means we both sympathise with the psychological asphyxiation of the lead character, and assume a critical stance towards it. I know, darling, but that wasn't the same. His stagings can be revelatory, but the last time I remember anticipation morphing into disappointment as quickly as it does here was at his utterly wrong-headed adaptation of All About Eve, which wasted Gillian Anderson and Lily James. Voir les partenaires de TheConversation France. What we witness is a high-octane, psychologically-driven, breathless kind of naturalism; Reijn is a veritable human fountain of tics and defensive postures and giggles and faux-tough mannerisms. Which is why it is a very odd decision to set this production in the present day. The story involves one woman on stage speaking on the telephone withher (invisible and inaudible) departing lover, who is leaving her to marry anotherwoman. I said: You would hear it in my voice. Ruth Wilson, as a spurned lover dressed in tracksuit bottoms and a Tweety Pie top, variously underplays and over-eggs her characters suffering. Using the telephone as a metaphor the cut or crossed lines a mirror to the couples emotional disconnect it is not just a dramatic experiment in voice but a painfully human play about being desperately, frantically, in love with someone as they coolly walk away. The Human Voice (2021) poster artwork. Get This Item. In this extraordinary and prophetic monologue a woman fights for the person she loves. Each email has a link to unsubscribe. Of special interest are two stage set models; J.B., designed by Eric Coco and Long Day's Journey into Night, designed by Ming Cho Lee. Enter your password to log in. The bag full of hand-written letters she is supposed to return; the telegram that catalysed their love; the telephone exchange enabling their contact; and the party line buzzing with other voices this world is extinct. Little was known about how it works or how to care for it, despite centuries of fascination with the voices of singers and actors He is to marry another woman the next day, which causes her to despair. At their best, as with Samuel Becketts Krapps Last Tape and Not I, or Anton Chekhovs On the Harmful Effects of Tobacco, they plunge their audience in a claustrophobic emotional space with no exit sign. You'll have to sign in before you share your experience. Cocteaus woman is a pure abstraction of the feminine; but this performance collapses the abstraction into a user-friendly TV-style of verite. Be the first one to, *Cocteau - The Human Voice - 1960 Bergman, Advanced embedding details, examples, and help, Terms of Service (last updated 12/31/2014). That drama is not captured here, nor its tension. No. What the group calls the pieces timelessness is only what is most formulaic and clichd about it; what hurts in it is its situatedness in history. This collection is stored off-site and requires two business days advance notice for retrieval. Cocteau, Jean, 1889-1963. He is to marry another woman the next day, which causes her to despair. It becomes as stripped and sterile as the empty glass box of a set,. There is one painfully passive moment when she is pinned to the wall, her back to us, while we listen to Radioheads How to Disappear Completely, from beginning to end, which not only brings tedium but also gives the dehumanised impression of a dead insect caught on fly-paper. VHS, boxes 135-142, Audio Cassette Tapes, boxes 143-145, CDs and DVDs, box 147, and LP Records, box 148. Spurned lover Ruth Wilson in The Human Voice. Its impossible to imagine the other side of this conversation that lasts more than an hour, even if its just happening in the womans head. These structural anachronisms violate the material being performed: the throng of other voices on the line; the precious rarity of a connection; the sense of the telephone as the only, precarious method of contact across a large city. Even the regrettable moment when she tongue-kisses the mans empty shoe is made tolerable by the graceful and sincere effort she brings to the gesture. Written by Julian Murphet | 15th Jan 2014 | Australia, Festivals, Netherlands, Review, Sydney, Halina Reijn onstage at Carriageworks in Cocteaus La Voix Humaine. Thesis Prepared Fo This sub-series is also divided into three sub-series; Northwestern University and Northwestern Productions, box 29, Eagles Mere Playhouse, box 30, and Professional, boxes 31-57. An unnamed woman alone in an apartment conducts an increasingly panicked conversation on the telephone with the man she loves, but who has abandoned her for another. The views expressed here belong to the author and do not necessarily reflect our views and opinions. Ivo Van Hove and Ruth Wilson worked together on Hedda Gabler at the National Theatre in 2016 and it was a travesty of Ibsen's play. The Human Voice ( French: La voix humaine) is a monodrama first staged at the Comdie-Franaise in 1930, written two years earlier by Jean Cocteau. The Human Voice by Carlyle Brown (0) Drama | 10 - 15 minutes 2 W, 1 M, Content Notes: Adult language Set: Bedroom and garden roof apartment Over the telephone, a woman says goodbye to her lover for the last time. You would hear it in my voice, anyway. La Voix humaine was written, in effect, as an extravagant aria for Madame Berthe Bovy. And I will be. Initially cordial, even fond, she becomes by turns melancholic, angry, melodramatic and distraught. The Human Voice: Directed by Ted Kotcheff. You can live your whole Do these influences inform the work you do? Important: 6 0 obj web pages Can you add one ? The Holy Terrors: (Les Enfants Terribles), Art and Faith: Letters between Jacques Maritain and Jean Cocteau. The music, which consists of a few generic pop songs, and a truly awful dirge-like French theme song, heard intermittently throughout, and then given a spectacularly prominent few minutes in the foreground, is both very bad and poorly integrated into the drama Paul Simons 50 Ways to Leave Your Lover, for instance, is the play-out ditty banalising her suicide. Cocteau's text is now better known and more frequently produced as Poulenc's opera of the same name (much beloved by Cocteau himself). What we witness is a high-octane, psychologically-driven, breathless kind of naturalism; Reijn is a veritable human fountain of tics and defensive postures and giggles and faux-tough mannerisms. A woman, a phone call, a final conversation. Perhaps Wilson is trying to infuse strength into the part but it ends up sounding artificial and distancing. The Professional series contains many of the plays Mason directed along with others he saw or were sent to him. :S,pXk }$|. Photo Credit: Sydney Festival/Prudence Upton. Part II Her Majestys Theatre, London. Playbills, with the sub-series Northwestern University, box 62, Eagles Mere Playhouse, box 62, Circle Repertory Company, boxes 63-64, Professional boxes 65-89, and Award Playbills, box 90. All of this is drawn from the available lexicon of contemporary telephone behaviour the kind of thing were all too familiar with overhearing on the bus. The situation of Cocteaus play is historically unique: the rapid introduction of telephones into urban life in the 1920s. 'The actress should give the impression that she In 1958 Francis Poulenc composed an opera to Cocteau's text. UNSW Sydney apporte un financement en tant que membre adhrent de TheConversation AU. Scripts, contains working scripts of the plays that Mason directed, as well as others. It was adapted in short film form in 2014, starring Sophia Loren and directed by Edoardo Ponti, in 2018 starring Rosamund Pike and directed by Patrick Kennedy, and a version titled "The Human Voice" in 2020, directed by Pedro Almodvar and starring Tilda Swinton, which played out of competition at the 77th Venice International Film Festival. Sign up for exclusive newsletters, comment on stories, enter competitions and attend events. Droits d'auteur 20102023, The Conversation France (assoc. In various ways the world of this play is no longer ours. Cocteaus woman is a pure abstraction of the feminine, but this performance collapses the abstraction into a user-friendly TV-style of verite. Prose and Poetry, boxes 59-61, contains prose and poetry by Mason and others with whom he a professional or personal relationship with.Publications: This series is divided into a few sub-series. But there is nothing to suggest this in Cocteaus script, which partakes of his signature aloof style, his oneiric, abstract world of aesthetic forms. Uploaded by recently left her. The story involves one woman on stage speaking on the telephone with her (invisible and inaudible) departing lover, who is leaving her to marry another woman. Details here. The Human Voice (La Voix Humaine) by Jean CocteauCaedmon Recordswith Ingrid Bergman. The Human Voice. These structural anachronisms violate the material being performed: the throng of other voices on the line; the precious rarity of a connection; the sense of the telephone as the only, precarious method of contact across a large city. Have you already read it? The telephone proved to be the perfect prop for Cocteau to explore his ideas, feelings . This must count as an aesthetic failure, since the script specifically states there is an entire city stretched out between them, which is what gives the difficult telephone conversation its dramatic urgency. This article was first posted on www.theconversation.com. crivez un article et rejoignez une communaut de plus de 163 500 universitaires et chercheurs de 4 609 institutions. Her voice gets lost in incoherent echoes or is drowned out by Radioheads How To Disappear Completely, which swells and fades, along with a mournful cello. Monodramas are a big ask. Her assumed fortitude gradually crumbles over an hour as inner desperation rises to consume her. To read this book, upload an EPUB or FB2 file to Bookmate. Jean Cocteau's iconic play explores our desperate need for human relationships - and the machine that has changed them forever. How did you like it? New instruments are now improving the care and treatment of the voice Twenty years ago the human voice was a mystery. Most troublingly, there is a whiff of the old cliche around womens suicidal heartbreak which dooms this character to an Anna Karenina fatalism. Contact the Arts + Culture editor. Included are artifacts, awards, books, clippings, newspapers, playbills, photographs, posters and original artwork. (modern). Do you have the business idea to win a 25,000 prize? In his short film THE HUMAN VOICE - based freely on the stage play by Jean Cocteau - master auteur Pedro Almodvar takes a minimalist concept ("a text and an actress") and experiments like never before. More than that, the performance style that directorIvo Van Hovehas asked of his performer,Halina Reijn, is at an obtuse angle to the play itself. Not only are telephones ubiquitous and digital today, but the entire network of communication is transformed beyond recognition. Cocteau's experiments with the human voice peaked with his play La voix humaine. Screenplays, box 58, includes television and film scripts, some of which were plays Mason had directed on stage. I've just made up my mind, to be brave. An unnamed woman alone in an apartment conducts an increasingly panicked conversation on the telephone with the man she loves, but who has abandoned her for another. In this case there was no influence from Cocteau (artist who I admire), the influence is entirely Almodvar and his point of view on the play. In Daniel Raggett's production for The Gate, there is nothing but . On May 4, 1967, the final installment of the television series ABC Stage 67 was a production of the play, starring Ingrid Bergman, who had released a commercial recording of it on Caedmon Records in 1960. Photo Credit: Sydney Festival/Prudence Upton. Detailshere. comment. Her Adidas track pants and tasteless Disney top connote a certain ageing contemporary girl-woman.. Read more. ot even Ruth Wilsons limpid talent can breathe life into this dated, 70-minute solo show, in which a woman goes to pieces discussing the end of an affair with her unheard lover over the phone. The bag full of hand-written letters she is supposed to return; the telegram that catalysed their love; the telephone exchange enabling their contact; and the party line buzzing with other voices this world is extinct. The Human Voice, Jean Cocteau, undated Scope and Contents From the Collection: The Marshall W. Mason Papers fill 190 boxes and 13 flat files and contains biographical materials, correspondence, scripts, books, serials, playbills, VHS tapes, audio cassettes, CDs, LP records, digital files, photographs, posters, stage set models and artifacts. Theatre Audio Archive As she unravels, there are hints of psychosis is her lover merely a voice in her head? Scattering Chinese Art with The First-Ever Metaverse Theatre Festival, Exploring Palestinian Allyship in Decolonizing Sarah. %PDF-1.4 For the most part, she compels and rewards the minute focus we are obliged to give her every giggle, snort and snivel. astros vs yankees cheating. The Human Voice (Broadway Theatre Archive) The Infernal Machine, and Other Plays. Here, its given a tricksy, pretentious production by the fted but erratic Belgian director Ivo van Hove and his designer partner Jan Versweyveld that exacerbates the flaws of the material. Search all Archival and Manuscript Collections, Marshall Mason (1940- ) Papers (31/6/194), https://www.library.northwestern.edu/libraries-collections/mccormick-library/index.html. A script traditionally staged as phone calls here morphs into a dramatic monologue, which is an innovative move but the play interrupts its own reconceptualisation by returning to the dramatic device of the phone call towards the end. Oh no, let me. 'The actress should give the impression that she is bleeding, losing her life's blood, like a wounded beast, finishing the play as if the bedroom is drenched in blood.'. The glass casing, which turns out to be a view into Wilsons home from her balcony, might have created a voyeuristic intimacy, as was the case in a smaller, far more effective production at Londons Gate theatre, starring Leanne Best, in 2018. What the group calls the pieces timelessness is only what is most formulaic and clichd about it; what hurts in it is its situatedness in history. The Example of Jean Cocteau AUTHOR: Joyce Anne Funamoto, B THE HUMAN VOICE A Riveting Production Review by Frank Spezzano Ontario Arts Review, Mar BEYOND the HUMAN VOICE: FRANCIS POULENC's PSYCHOLOGICAL DRAMA LA VOIX HUMAINE (1958) Cynthia C. Beard, B.M. As a woman waits for her ex-lover to collect his suitcases from her flat, she gets one last chance to speak to him over the phone. 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