120 x 80cm Inscriptions: "G. Bennett Nov. 1999 / Notes to Basquiat: Untitled"--On verso. 120 x 80cm Purchased with funds from the Foundation for the Historic Houses Trust, Museum of Sydney Appeal, 2007, Collection: Museum of Sydney, Sydney Living Museums, Gordon Bennett Australia 1955-2014. GORDON BENNETT (b. 1955) Gordon BennettNotes to Basquiat: Boogieman Blues 1999acrylic on linen182.5 x 182.5cmCollection: Private, Adelaide The Estate of Gordon Bennett. secure our sense of ourselves into eternity, identities are the names It weaves . In the open letter to Jean-Michel Basquiat, Bennett continues: To some, writing a letter to a person post-humously may seem very tacky and an attempt to gain some kind of attention, even 'steal' your 'crown'. Add to favourites. Synthetic polymer paint on linen / 183 x 152.3 x 3.2cm, The Estate of Gordon Bennett Private Collection, Adelaide, Gordon Bennett Australia 1955-2014. An Aboriginal man is inserted into the picture whose exploding head is turning into stars. Dear Jean-Michel Basquiat, I confess I used to think so, but seeing this exhibition has made me reconsider. Professor of Art Theory and Fine Art, Griffith University. Both artists reveal the historically fueled racist elements of western culture through their paintings. Attending to form as much as content enables a different view of Bennetts oeuvre and critical purpose. In his recent book Rattling Spears: A History of Indigenous Australian Art (2016), art historian Ian McLean argues that anger is the consistent emotion expressed by Bennetts work. Aboriginal Australians -- Politics and government. I am trying to paint the one painting that will change the world before which even the most rabid racists will fall to their knees of course this is in itself stupid and I am a fool but I think to myself what have I got to lose by trying? See opening hours View upcoming auction estimates and receive personalized email alerts for the artists you follow. He felt alienated by his Australian education and the representation of Aboriginal people in Western culture and as a result, began confronting the idea of identity in his own work. Notes to Basquiat: Australiana 1998 Notes to Basquiat: Perfect Teeth comes from the important extended series, Notes to Basquiat, which was a major theme in Bennetts work throughout the 1990sa selection of works on paper from this series was included in The Third Asia Pacific Triennial of Contemporary Art (APT3) in 1999. Bennetts series works across both Australian and American of history and culture - not an essence, but a positioning. Gordon Bennett (1955 -2014) was an Australian artist of Aboriginal and Anglo-Celtic descent. Read more: ), 31, Gordon Bennett was a painter of history and histories. Notes to Basquiat: Female Pelvis by Gordon Bennett | Art.Salon In 1999, the year this artwork was created, John Howard issued a 'statement of sincere regret' over the forced removal of Aboriginal children from their families, failing to make an official apology. Typically, this is the style of contemporary art associated with ideology critique, unveiling systems of discrimination and oppression like racism and sexism. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. By Julie Ewington . The pop art inspired paintings of the Coloured People and Interiors series seem glossier and less political than Bennetts other work, but this is not the case. Notes to Basquiat, 1999 Synthetic polymer paint on linen . Such is reiterated by the works unfolding lines of text the same but different / different but the same a notion which not only reverberates throughout the entire series, but is similarly reflected in Bennetts knowing relationship to Basquiat and his practice. Digital master available National Library of Australia; Request this item to view in the Library's reading rooms using your library card. c: 182 x 182cm; 182 x 425cm (overall) Purchased 2019 with funds from the Neilson Foundation through the Queensland Art Gallery | Gallery of Modern Art Foundation 'One of the most important Australian artists of the late 20th century In his artists statement, composed as a letter to Basquiat, Bennett says: Provenance. . Notes: Title from inscription on verso. synthetic polymer paint on linen. Arguing that the codes of Western art, literature, law and science introduced with European settlement have become a prison from which indigenous people cannot escape but rather, only appropriate Bennett sought to picture such manifold conspiracies, employing the deconstructivist aesthetic of postmodernism to re-present the histories and politics underlying the Australian social landscape. 38.0 x 53.5 cm . Synthetic polymer paint on canvas and rope on wood Medium. Estimate: $40,000 - 50,000. 109 Bennett's mimicry of Basquiat's style is not an attempt to be like Basquiat or to get an authentic street beat into his life. This citation of Basquiat's work acts for Bennett as a mode of communication with the American artist who died in 1988. Notes to Basquiat - Big Shoes - 2002. (1990). His sophisticated mimicry becomes two-fold in his quotation of Margaret Prestons woodcut design of a fish. GORDON BENNETT, (1955 - 2014) - NOTES TO BASQUIAT: (AB) ORIGINAL, 1999, synthetic polymer paint on linen DIMENSIONS: 182.5 - 182.5 cm SIGNED: signed, dated and inscribed v . At first glance, paintings from the Interior series appear similar to the work of Patrick Caulfield and look like a brightly coloured pull-out from a lifestyle magazine. Notes to Basquiat Untitled, 1999. In Gordon Bennetts splendidly savage painting Notes to Basquiat: Perfect teeth 2000, his bright, biting satire sets white teeth against black skin in a retro pop-culture parody; the word mono in the centre of the canvas suggests the dominance of one colour in art and life, as well as implying what we might think of monotones (wherever found) and the assertion of a monoculture. author unknown. Create a free website or blog at WordPress.com. Synthetic polymer paint on paper Gordon Bennett - Sutton Gallery Meet one of Australias most important contemporary artists, whose bold and playful works explore the politics of identity, Gordon BennettHome Dcor (Relative/Absolute) Flowers for Mathinna #2 1999acrylic on linen182.5 x 182.5cmCollection: Museum of Contemporary Art, purchased with funds provided by the MCA Foundation, 2012 The Estate of Gordon Bennett. Art challenges and influences public opinion on conflict, yet more importantly it identifies injustices inherent to the cultural relationships and identities within a society. (1999). 1992 exhibition at the Whitney. I feel I can understand Unfinished Business: The Art of Gordon Bennett - QAGOMA Blog back the skin and flesh to reveal the innards, ribs and skeleton, the Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. Another quote in the Dick Hebdige essay I found I connected with was Haptic Painting (Explorer: The Inland Sea) 1993 Synthetic polymer paint on canvas / 177 x 265cm The Estate of Gordon Bennett, Collection: Commonwealth Bank of Australia, Gordon Bennett Australia 1955-2014. Notes to Basquiat: Famous boomerang 1998 Major retrospectives of his work toured Icon and Arnolfini galleries and Heine Onstad Kunstsenter in Europe during 19992000, Australian State galleries between 20072009 and The Netherlands in 2012. I was excited to find in the essay "Welcome to the Terrordome: Jean Gordon Bennett's series Notes to Basquiat is inspired by the work of Jean-Michel Basquiat, the Haitian-American artist with Puerto-Rican heritage who came to prominence in the USA in the 1980s. 'Nothing quite prepares you for the impact of this exhibition': Haring Basquiat at the NGV. born 1955. 03 Jun 2014. Bennett, G., quoted in Gordon Bennett, National Gallery of Victoria, Melbourne, 2007, p. 212. ibid.3. Read more: Signed and dated u.l. NOTES TO BASQUIAT: CUT THE CIRCLE II, 2001 - Deutscher and Hackett Deliberately inconclusive original, archetype, manuscript, master, parent etc Notes to Basquiat: (Ab)original eloquently attests to the compelling possibilities offered by Bennetts art and its embodiment of a process being kept in play; and as he poignantly muses, Poetry doesnt seek closure on its meaning. 120 x 80cm Writing in his Manifest Toe in 1996, Bennett said: If I were to choose a single word to describe my art practice it would be the word question. cat., 2001, front cover View artist profile Add to wishlist. revealed. Gordon Bennett was an Indigenous Australian artist whose work primarily conveyed indigenous identity struggles, particularly through the subject of colonization and racial injustice. Bennett conversed about his conceptual painting practice as 'based on the semiotics of style and paint application, images and text, historical and contemporary juxta-position'. Sold for $44,400 (inc. BP) in Auction 3 - 29 November 2007, Melbourne. Sold for $98,182 (inc. BP) in Auction 65 - 10 November 2021, Melbourne. In its wake the pile of rubble grows skyward. He writes of Bennett: The anger is never far from the surface of his work, though he was perplexed by the common perception of it as angry.. Both series used a conspicuous sampling of other artists work, re-contextualising these images into symbols of the wider exclusion and disenfranchisement of indigenous peoples. The ideals of pure colour and form of early 20th century De Stjil abstraction appeared to Bennett as another form of exclusion. His three paintings titled. Paul Guest OAM QC under the Cultural Gifts Program 2018. Gordon Bennett. is inspired by the work of Jean-Michel Basquiat, the Haitian-American NOTES TO BASQUIAT: LIBERTY, 2000 | Deutscher and Hackett I guess it spoke to me of the traces signed, dated and inscribed verso: G Bennett 3-9-1999 / NOTES TO BASQUIAT: (ab) original / [], Sherman Galleries, SydneyGene and Brian Sherman collection, Sydney, Gordon Bennett Notes to Basquiat: One Tense Moment (episode two), Sherman Galleries, Sydney, 5 November 4 December 1999, cat. Mayer, M. GORDON BENNETT (b. 1955 Gordon Bennett Notes to Basquiat: Modern Art, Sherman Galleries, exh. "Notes to Basquiat: Untitled, 1999 appears to be referencing Basquiat's 'Samo', with the simple and strong text 'Sorry' recreated in a similar style with the familiar ironic copyright symbol. the points of identification, or suture, which are made within the discourses In the late 1990s Bennett responded to the personal experiences and practice of Puerto-Rican Haitian-American artist Jean-Michael Basquiat by producing a series of paintings that referenced the style and appropriated motifs of Basquiats own art. This task is the unfinished business referenced in the title of the show. Gordon Bennett was an Indigenous Australian artist whose work primarily conveyed indigenous identity struggles, particularly through the subject of colonization and racial injustice. Gordon Bennett, Notes to Basquiat (The Death of Irony), 2002, National Gallery of Australia, . 1955) Notes to Basquiat: Female Pelvis signed, dated and inscribed 'G Bennett April 1999 NOTES TO BASQUIAT FEMALE PELVIS' (on the reverse) acrylic on cotton duck 50.5 x 50.5 cm. Bennett, Gordon. Gordon Bennett. some essentialised past, they are subject to the continuous "play" of (2014). To learn more about Copies Direct watch this. Underlying this dialogue with Basquiat Bennett's need to re-contextualise the issues that he has explored throughout his artistic career, confronting them within a global context. Bellas Gallery, Brisbane Acquired from the above by the present owner in 1999. These shapes are coloured red, yellow and black referencing the Aboriginal flag and loss of a culture. signed, dated and inscribed with title verso: G Bennett 15-03-2001/ "NOTES TO BASQUIAT: MYTH OF THE WESTERN MAN". document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Gordon Bennett Notes to Basquiat (911) 2001 synthetic polymer paint on linen 182.5 x 304.0 cm, http://www.abc.net.au/arts/blog/arts-desk/Gordon-Bennett-artist-who-scaled-heights-of-artworld/default.htm, Psycho-social and psychological perspectives on religious violence (week4). In Notes to Basquiat (Death of irony) 2002, Bennett astonishingly knits a homage to Basquiat with Islamic patterns and calligraphy into a coherent composition . Bennett directly referenced the work of many other artists throughout his career, including Jackson Pollock, Piet Mondrian, Kazimir Malevich and Vincent Van Gogh. I already knew Bennett was in dialogue with other artists and their distinct painterly idioms: Mondrian, Margaret Preston, Thomas Bock, Jean-Michel Basquiat and Jackson Pollock to name just a few. Bennett was born in Monto, Queensland, in 1955 to an indigenous Australian mother and an Anglo Celtic migrant father. ^ Gordon Bennett in Gordon Bennett: Selected Writings, Power Publications and Griffith University Art Museum, 2020, p. 132. tap-dance on a tightrope". The Estate of Gordon Bennett, Collection: Queensland Art Gallery / Gallery of Modern Art. In the upper left-hand corner, a Margaret Preston stylised female figure tumbles, caught in a modernist lattice reminiscent of the work of Dutch artist Piet Mondrian. The price achieved of AUD 4,700 ( 2,835) was within expectations - the estimate range had previously been given by the auction house as AUD 4,000 - 5,000. Griffith University provides funding as a member of The Conversation AU. )Man + Space: Kwangju Biennale 2000, exhibition catalogue, Kwangju Biennale Foundation, South Korea, 2000, p. 273 (illus. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia In the late 1990s, he embarked on two consecutive series of paintings, the Home Dcor series, and Notes to Basquiat. Yours Sincerely, the 1980s. The textured surface references the colonial footprint of global black slavery. Ultimately betraying Bennetts highly idiosyncratic vision however, is his characteristic engagement of the viewer here through his thesaurus inspired word-play designed to activate the complex web connecting sight, speech and thought, and thus highlights the links between history and meaning established in his oeuvre. Brnice Geoffroy Schneiter, Le Journal des Arts, 'Art premier: La cration aborigne repense', pg. I guess it spoke to me of the traces of different experience and layers Abstraction (Citizen) 2011 In Gordon Bennett's splendidly savage painting Notes to Basquiat: Perfect teeth 2000, his bright, biting satire sets white teeth against black skin in a retro pop-culture parody; the word 'mono' in the centre of the canvas suggests the dominance of one colour in art and life, as well as implying what we might think of monotones (wherever found) and the assertion of a 'monoculture'. These large scale history paintings of the 1990s are perhaps his best known works. A humanist at heart, Bennett created works which are grounded in personal experience and an authentic voice. That is not my intention, I have had my own experiences of being crowned in Australia, as an Urban Aboriginal artist - underscored as that title is by racism and primitivism - and I do not wear it well . Conceived as an open letter to Basquiat who died ten years earlier, the series appropriates the raw street style for which Basquiat became renowned in an attempt to communicate via the language of the New York context the similarities and crossconnections of our shared experience as human beings in separate worlds that each seek[s] to exclude, objectify and dehumanise the black body and person.1 Yet if Bennett borrows signature motifs from Basquiats oeuvre such as his use of lists and rap-like banter, he nevertheless imbues them with his own uniquely Australian symbolism. verso on canvas, pencil "G Bennett 31-8-1999/ ". Not only is art about political content, form is also at stake. The persona of John Citizen partly represents 'the Australian Mr Average', but is also a kind of disguise for Bennett. Bennetts Notes to Basquiat collectively have had an extensive exhibition history, with a selection exhibited in the Kwangju Biennale 2000: Man + Space, Korea and the 9th Asia Pacific Triennial in 2001. Far from being grounded in mere "recovery" inscribed in pencil on reverse : G Bennett 19-5-2000 / "NOTES TO BASQUIAT : DOUBLE VISION" / Acrylic on Linen 152 x 182.5 cms / Jean Cocteau "orpheus" / MIRRORS WOULD DO WELL / TO REFLECT MORE". The work also relates to Basquiat's paintings, following the same principles as his graffiti, signifying the existence of a more basic truth hidden within a given event or thought"--Information from acquisitions documentation. ibid., p. 22, Important Australian + International Fine Art. Bennett emerges as one of the most important Australian artists of the latter part of the 20th century and one we have certainly not finished interpreting. At times it is as though we are looking at the work of more than one artist. Bennett makes art that questions accepted versions of history, often taking historical artworks as his starting point. Queensland Art Gallery | Gallery of Modern Art. and levels we can relate to each other as human beings in the world of He also wrote an open letter to the dead artist celebrating their cultural and artistic similarities, as well as their shared love of jazz, rap and hip-hop. About; About. This is the third major survey show to consider the breadth of Bennetts work and should not be missed. His playful yet powerfully political artworks borrow images from other artists and mix and re-contextualise elements from Western and non-Western art history. A critically and politically engaged artist, Bennett presents alternative historical narratives of Australia and of contemporary world events, creating provocative works that place identity politics front and centre. other as human beings in the world of material existence, even though Notes to Basquiat: Modernity, 1999 is a bridge between these two series, synthesising the main motifs of each into a tightly articulated composition exposing how words and images shape our cultural identity.The array of appropriated motifs within Notes to Basquiat: Modernity tesselate to create a dynamic composition, their collaged intuitive arrangement providing a decidedly contemporary aesthetic. Gordon Bennett - Art - LibGuides at Melbourne High School Cultural Violence, Journal of Peace Research, vol.27 (3), 291-305. Bennett claims his identity was, shaped by the historical narratives of colonialism with all its romantic illusions and factual deletions (SMH 2014). Gordon Bennett's artwork is on display at Tate Modern in Artist and Society: Citizens. Gordon Bennett Australia 1955-2014. Far from being eternally fixed in Mclean, I. Gordon Bennett. Synthetic polymer paint on paper He also wrote an open letter to the dead artist celebrating their cultural and artistic similarities, as well as their shared love of jazz, rap and . Gordon Bennett's paintings in the late 1980s and early 90s were informed by theories about appropriation - the borrowing of images from other artists and visual sources - and by post-colonial theories about identity and history. Free entry, Find out what you need to know before visiting, Untitled (reference to Colin McCahon's 'Valley of the dry bones'), Myth of the Western man (White man's burden), Outsider/ insider: the art of Gordon Bennett, Mmoires vives: une histoire de l'art aborigine, Australian art and the Russian avant-garde. Bennett not only borrows images from the work of American artist Jean-Michel Basquiat, but also begins to mimic Basquiat's spontaneous and gestural urban style of painting, reflecting his involvement in the graffiti culture of the United States. Gordon Bennett's paintings in the late 1980s and early 90s were informed by theories about appropriation - the borrowing of images from other artists and visual sources - and by post-colonial theories about identity and history. 120 x 80cm Susan Best receives funding from the Australia Council for the Arts and the Australian Research Council . Synthetic polymer paint on paper 1999, Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett. Gordon Bennett, Retrieved August 24, 2014, from, http://www.ngv.vic.gov.au/gordonbennett/education/04.html. Sold at Auction: Gordon Bennett - Invaluable His three paintings titled Possession Island are based on a 19th century etching by Samuel Calvert. Unfinished Business: The Art of Gordon Bennett - Art Almanac Collection: The Estate of Gordon Bennett. signed and dated verso: G. Bennett 8 -03-2001. title, medium and dimensions inscribed verso: NOTES TO BASQUIAT: CUT THE CIRCLE II / Acrylic on linen / 5 x 6, 152 x 182.5 cm. Here's looking at: Blue poles by Jackson Pollock. 5Unscripted: Language in Contemporary Australian Art, Art Gallery of New South Wales, Sydney, 20 May 24 July, 2005, The Galleries, Sydney Morning Herald, 9 November 1999, p. 17McLean I., Probability, rap and coincidence: notes to Basquiat in Gordon Bennett: One Tense Moment (episode two), exhibition catalogue, Sherman Galleries, Sydney, 1999, unpaginated (illus. McLean I., Probability, rap and coincidence: notes to Basquiat in Gordon Bennett: One Tense Moment (episode two), exhibition catalogue, Sherman Galleries, Sydney, 1999 . (LogOut/ "A Short Note to Basquiat" . . His paintings are not expressionist. He first became aware of his dual heritage when he was a young teenager. John Saxby (Editor), Look, 'The art that made me: Reg Mombassa', Sydney, Nov 2015, 13. Art, Australian -- 20th century -- Pictorial works. Access more artwork lots and estimated & realized auction prices on MutualArt. Can I get copies of items from the Library? This major display, drawn from the National Gallery's collection, brings together works by First Nations and non-Indigenous artists from across Australia, including work by artists from Asia and the Pacific. This education resource accompanies the retrospective exhibition Gordon Bennett (2008) which showcased 85 works by this internationally acclaimed Australian artist.Bennett's art engages with historical and contemporary questions of cultural and personal identity, with a specific focus on Australia's colonial past and its postcolonial present. Michel Basquiat and the "Dark" side of Hybridity" by Dick Hebdige, in Bennett's view of a shared cultural and lived-experiences led to his 'Notes to Basquiat' series (1998-2002), inspired by the work of American artist Jean-Michel Basquiat (1960-88). Works | NGV | View Work Estimate: $35,000 - $45,000. The works I have produced are notes, nothing more, to you and your works, posthumously yes, but importantly for me - living in the suburbs of Brisbane in the context of Australia and its colonial history, about as far away from New York as you can get - these are also notes to the people who knew you and your works, those who carry you with them in their memories and perhaps in their hearts.1. A cause as worthy and challenging as anti-racism, on the other hand, can provide material for a lifetime. (2014). This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to . His artwork resist and debate racial stereotyping and is critical of Australias colonial history and postcolonial present. In his Welt series of paintings of the early 1990s, he painted over the created scarified surface of Jackson Pollock inspired drip paintings in matt black. Write an article and join a growing community of more than 163,400 academics and researchers from 4,609 institutions. On the opposite corner, however, a pair of heads labelled Caucasian and black/abo stare blankly into the void. The Estate of Gordon Bennett Change), You are commenting using your Facebook account. View upcoming auction estimates and receive personalized email alerts for the artists you follow. signed, dated and inscribed verso upper left: G.Bennett 9-6-2000 / Notes to Basquiat: Liberty / acrylic / 152 x 188cm. In, In 1995 Bennett began making work under the name 'John Citizen'. This critical orientation is particularly evident in Bennetts history paintings, displayed in the third room of the exhibition. Accordingly, in the present Notes to Basquiat: (Ab)original, 1999, the experience of race and life generally in the northern and southern hemispheres is both differentiated and conflated through Bennett's highly sophisticated mimicry of Basquiat's spontaneous urban style. 102: GORDON BENNETT born 1955 Notes to Basquiat. The University of Queensland, Brisbane Acquired with the Assistance of the Visual Arts and Crafts Board of the Australia Council, 1989, The Estate of Gordon Bennett Collection: The University of Queensland. )Israel, G., Senior Artwise 2: Visual Arts 11-12, Jacaranda Press, Milton, Queensland, 2003, (illus., front cover and p. 163)Murray Cree, L., Twenty: Sherman Galleries 1986-2006, Craftsman House / Thames and Hudson, Melbourne, 2006, p. 123 (illus. Gift of The Hon. The strange row of heads depicted in the very early work, The Coming of the Light (1987) forms part of the background of this same image. He felt alienated by his Australian education and the representation of Aboriginal people in Western culture and as a result, began confronting the idea of identity in his own work. 30 (illus. Gordon Bennett - Notes to Basquiat: 911 - Search the Collection, National Gallery of Australia Five things to know about Gordon Bennett | Tate Change). I was also aware of his concern with western systems of representation and their oppressive effects. We notify you each time your favorite artists feature in an exhibition, auction or the press, Access detailed sales records for over 657,106 artists, and more than two decades of past auction results, Buy unsold paintings, prints and more for the best price, Notes to Basquiat: Myth of The Western Man ,2001, Notes to Basquiat: Cut the Circle II ,2001, Home Decor (After Margaret Presont) ; Preston+DeStijl = Citizen (My Boomerang Won't Come Back) 1996 - Gordon Bennett, Home Decor (Counter Composition) Black Swan, 1999 - Gordon Bennett. by Greg Tate which reads: "To be a race-identified race-refugee is to The art and legacy of Gordon Bennett (1955-2014), one of Australia's most influential contemporary artists, will be on show at the Gallery of Modern Art (GOMA) from 7 November 2020 to 21 March 2021. (2014). "In the late 1990s Bennett responded to the personal experiences and practice of Puerto-Rican Haitian-American artist Jean-Michael Basquiat by producing a series of paintings that referenced the style and appropriated motifs of Basquiat's own art. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia We notify you each time your favorite artists feature in an exhibition, auction or the press, Access detailed sales records for over 657,106 artists, and more than two decades of past auction results, Buy unsold paintings, prints and more for the best price, Notes to Basquiat: Myth of The Western Man ,2001, Notes to Basquiat: Cut the Circle II ,2001, Home Decor (After Margaret Presont) ; Preston+DeStijl = Citizen (My Boomerang Won't Come Back) 1996 - Gordon Bennett, Home Decor (Counter Composition) Black Swan, 1999 - Gordon Bennett. GORDON BENNETT born 1955 Notes to Basquiat: Hand of God 1999 synthetic polymer paint on linen signe. This conversation is manifest quite literally when Bennett drafts a letter to the - then already deceased - Basquiat, outlining his reasons for emulating his style. history, culture and power.
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